Peele - drawing from the comedy of masquerade and playing with racially coded speech and behavior - turn a pair of amusing milquetoasts who happen to be black into black stereotypes right out of central casting. It’s a metamorphosis that sounds like conceptual gold, as Mr. They drop their final “g’s,” sprinkle on the “ain’ts” and vamp like gangbangers. In “Keanu,” once Rell and Clarence start hanging with Cheddar’s group, they swap their everyday speech (“good English”) for tougher, rougher talk and haphazard grammar. Peele) and his Anger Translator, Luther (Mr.
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Peele turned code switching into an aesthetic principle, most famously in their sketches involving President Obama (brilliantly channeled by Mr. A new love is born, one that’s blessed by Rell’s cousin, Clarence (Mr.
Like every man in the movie, Rell falls for the cat and - after rising from a miasma of pot smoke while flanked by posters for “New Jack City” and Michael Mann’s “Heat” - names his fluffy new friend Keanu. Peele), who’s distraught after being dumped by his girlfriend. Peele wrote with the longtime “Key & Peele” contributor Alex Rubens, opens with the kitten running from the drug-lab shootout and landing at the door of Rell (Mr.
Peele comfortably hold the big screen, whether they’re playing ordinary guys or imitating killers. What’s needed is a sharper, smarter edge, like the one they used on their show to lacerate pop-cultural and political targets also, more and better jokes.
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Peele’s future as movie headliners, though, will take more than kittens, guns and a riff on gangbangers head-bobbing to George Michael. Peele tag-team after ending “Key & Peele,” their celebrated, often blazingly funny Comedy Central series that turned them into national memes. Running 90 minutes too long, the movie is a slack, erratically amusing excuse to watch Mr. That’s the high-concept goof in “Keanu,” a 10-minute sketch that’s been inflated to bloated feature length.